Salt Lake City · Utah
Collin Peacock
Producer · Field Producer · Production Coordinator
Utah-based production professional with experience across unscripted television, commercial production, narrative film, and major television crews. I specialize in turning complicated shoots into workable plans—from locations and scheduling to talent logistics, travel, crews, vendors, and production-day execution.
Based in Salt Lake City, Utah · Available for local, travel, and remote production work
01
Primary case study
BYUtv · Seasons 15–17
Relative Race
3Seasons
Story + FieldProduction
Prep → WrapFull cycle
Multi-locationTravel production
Over three seasons of Relative Race, I worked as part of both the story team and field crew for the Green Team, helping take each season from months of prep through filming and wrap.
My responsibilities combined story development with field-production logistics. I researched and coordinated locations, handled permitting and local production needs, worked with contributors and interviews, supported story beats and episode planning, arranged hotels and travel, coordinated vendors, built schedules and call sheets, managed production paperwork, developed backup plans, and prepared materials for post-production handoff.
Because Relative Race is an unscripted travel series, the job required constantly balancing the planned story with what was actually happening in the field. Contributors, locations, interviews, travel, and production needs could all shift quickly, so my role was both story-focused and operational—helping the team find the strongest story while keeping the shoot physically moving.
02
Selected work
Commercial Production
Built for the day.
Commercial 2nd AD experience across branded productions, supporting talent movement, crew coordination, schedule execution, and day-of production logistics.
03
Narrative Film & Television
Assistant Directing
Plans that hold up on set.
Assistant directing built the operational foundation: people, timing, safety, communication, and the practical realities of making the day.
Feature film · 2026
Found Alive
2nd Assistant Director
Previously announced as The Edge of Normal.Official festival page
Series
Dusty Bluffs
2nd 2nd Assistant Director
Handled expanded 2nd AD responsibilities during production.Official series
Sustained crew experience
Full-Run Television Experience
Professional-set foundations across major studio television crews.
Disney+High School Musical:
High School Musical:
The Musical: The Series
Full-Time Production Assistant · 2 Seasons
Apple TV+
Amber Brown
Full-Time Production Assistant · 1 Season
Prime Video
Fallout (Utah Unit)
Props Department · Full Utah Unit Run · 2 Weeks
Behind the Scenes
Production in practice.
On-set work across commercial, narrative, and television production—all gathered in one place.
04
Services
From prep through wrap
Production, made workable.
Practical support for productions with a lot of moving parts—on location, in the field, or from the production office.
Producing & Production Coordination
Prep-to-wrap support across locations, contributors, crew communication, travel, vendors, schedules, paperwork, field logistics, and production handoff.
Assistant Directing
Set logistics, talent movement, crew coordination, schedule execution, and AD-department support.
Production Scheduling
Stripboards, shooting schedules, schedule revisions, and production planning using Movie Magic Scheduling.
Utah Production Support
Local production support and crew sourcing throughout Utah, backed by an established network of crew and production contacts.
05
About
Story instincts.
Production discipline.
I’m a Salt Lake City–based producer and production professional who has worked in the industry since 2015 and full-time in Utah film and television since 2020. My experience spans unscripted television, commercials, narrative film, and major studio productions, with work across story and field production, assistant directing, production coordination, and full-time crew roles.
I’m strongest on projects with a lot of moving parts. I’m comfortable managing locations, contributors and talent, travel, schedules, vendors, crews, and the constant changes that come with production. Years of working across different departments and production types have given me a practical understanding of both the creative and logistical sides of getting a project made.
I’ve also built a strong network of crew and production contacts throughout Utah and can help productions coming into the state get staffed and moving quickly. I’m available for local, travel, and remote production work.
06
Résumé
The full production record.
Selected experience, production capabilities, tools, and additional film and television credits.
07
Contact
Let’s work
together.
I’m available for local, travel, and remote production work, including producing, production coordination, assistant directing, scheduling, and Utah production support.
Get in TouchName
Collin Peacock
Based
Salt Lake City, Utah
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